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The signal then passes to two Post–FX: Delay with Mix, Feedback and Time controls - delay time can be free-running in milliseconds or in sync with your host tempo to a wide range of note values. A Limiter allows the volume to be further boosted without clipping.
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#Scarbee pre bass amped b torrent manual
This feeds into an amp simulator offering four bass amp/cabinet IR responses (although the manual claims six) with separate volume controls for direct and amp signals. These are arranged in the order in which they might most likely occur this order cannot be changed.įollowing the Pre-FX is an EQ with four fixed Bass, Lo Mid, Hi Mid and Treble bands. Next in line are five stompbox style Pre-FX: a standard Compressor with Amount and Ratio Overdrive with Mix, Gain and three types of drive Wah (auto or manually controllable via MIDI) Phaser with Mix, Rate and Depth Chorus with Rate and Depth. It's fairly subtle, and when set to a realistic level is likely to be inaudible unless the bass is playing solo with a fair amount of compression. A word of caution: beware of having these unnaturally loud - they can be very distracting! Finally, the Mechanical knob adjusts the volume of random 'string brushing' noises in between notes. You cannot have both at once, however the knob is assignable to a MIDI controller, as are most things on BF. In the 12 o'clock position they are both silent. Unlike octave dividers, there is no glitching or mis-tracking here, and it even works polyphonically - try that with a stompbox! Release/Decay offers a choice of key release samples negative values increase the level of note-stop noises created by the picking hand, positive values increase the level of stopping noises made by the fretting hand. Sub Octave is the equivalent of that bass players' favourite, the octave divider pedal, adding a parallel octave beneath the main sound, sure to delight fans of Tony Levin.
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Low Boost does exactly that, emphasising frequencies around 100Hz. Turning clockwise progressively scoops out that mid-range giving a wiry sound, but still with a strong bass presence.
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When active, they behave as follows: fully anti-clockwise, Vintage/Modern produces a full tone, focused on the low mid-range. The first three knobs can be bypassed with the Tone on/off button for the purest sound. Firstly, five knobs on the body of the guitar determine the initial sound. Regarding BF's tone sculpting abilities, there are three main areas where this takes place. A quick rummage through the supplied presets reveals an impressively broad range of tonal possibilities from this bass. On firing up BF, the default INIT preset sounds terrific straight out of the box - solid and unapologetically up‑front. A lot of attention has been paid to the way bass players approach fret position and voicing - BF has its own ways of dealing with this, which will be discussed in due course. BF includes many of the characteristic noises and artifacts of bass guitars crucial to a realistic performance as with other virtual bass VSTs these are triggered by the familiar combination of keyswitch commands, MIDI controllers and approach to playing the keyboard. Bass Fingers (BF for short) is a deeply sampled five-string electric bass of unspecified make, hosted in Waves' own bespoke (and visually attractive) engine. The Bass part of the name is obvious: the Fingers part refers to its fingered playing style, as opposed to picked or slapped. Waves' foray into the Stygian depths of harmony goes by the mildly euphemistic name of Bass Fingers.
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There's more than one way to skin a cat, as the saying goes, and this is as true for virtual bass instruments as any other. Hyperrealism is the order of the day with Waves' new virtual bass instrument.